She Who Has No Master(s), trans. Genève Chao and Quan Tran

"[P]oetry, even when it is not overtly political, when it prefers the universal, when it is staunchly private, if not blatantly apolitical, or when it is fiercely formally experimental to the point of illegibility, is nevertheless already a form of consciousness-raising, say, by cultivating attentiveness to language, to structures of thinking, to the idea of an other, to a self who is not our own—and these are necessary to participate meaningfully in political life." Conchitina Cruz in conversation with Ivy Alvarez • Cordite Poetry Review