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Chelsey Minnis Granta

"And so, mindful of “the Goddess Dullness squatting on our pages” (referred to elsewhere as the “daily meh”), [Leontia] Flynn breathes the new life of an entirely contemporary voice into a seemingly traditional stanzaic structure. That the elegy is not “Heaneyesque” in style testifies both to the generosity of Heaney’s example and to the sureness of Flynn’s talent." Paul Bachelor New Statesman

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