"The tonal register too, slides between earnest confessional and ribald play. This makes for a dizzying, and sometimes jarring, progression. Nonetheless, I found myself unfastened by this aspect of Soho (not by its experimentation with affront), but by the discomforting force of its confessional provocation. It reminds me of the anxieties that were raised in the wake of the MeToo movement that saw survivors of sexual violence undertake public acts of self-nomination en masse. What does it mean to speak of shame? How much speaking is too much?" Nell Osborne The Manchester Review